Member Spotlight: Jaimie Engle

How did you land your first book ghostwriting project?

I was a new author waiting for my big deal, like so many, and I found myself editing for other authors — and realized I was really good at it. One of my earliest clients was an engineer with a delightful tale. He would send about three paragraphs and call it a chapter. I ended up rewriting each one, then he’d add his spin, and together we finished his adorable story. That book went on to win a state writing award, and from there I’ve been ghostwriting books and screenplays ever since. In June 2025, I launched Chapter Drops™, my ghostwriting service for story‑holders who want to write a book. Each week, a new chapter drops into your inbox for about $150, and by the end of the year, you have a finished book! It’s simple, fun, and effective.

 

What is your favorite type of project or client?

I love clients who have a story to tell but aren’t writers themselves. My clients range from foster moms writing memoirs, engineers creating children’s adventures, professors developing early chapter books, and mortgage brokers penning political thrillers. I also work with producers who hire me to write their screenplays and authors who ask me to adapt their books into films. Every project is unique, and I thrive on helping non‑writers become published storytellers.

 

What’s your favorite question to ask clients during an interview?

I always ask: Who are you writing this book for? That single answer shapes the entire project. A memoir meant to share a life story has a different structure than one designed to inspire others on a similar path. A nonprofit “how‑to” book has a different audience than a leadership book in the nonprofit sector, even if the source material overlaps. I also ask if they envision their story on the big screen. That determines whether we prepare for self‑publishing or traditional publication. For nonfiction, this matters even more — traditional publishers often want a proposal, sample chapters, and a table of contents rather than a finished manuscript. Through my network of agents and publishers as faculty with Writers Day Workshops (a national conference organization), I guide clients through whichever path fits their vision.

 

What are the best parts of this career?

I love showing a story‑holder that they are a writer. It’s incredibly rewarding to take an idea, craft it in their voice, and deliver weekly chapters that make them proud. Beyond the writing, I provide confidence and support that lasts for decades — through quarterly Engleverse Parties, ongoing relationships, and even pitching their stories to producers or sharing their books with new audiences. For me, this isn’t just a job. It’s a community of like‑minded people leaving legacies through published books. Honestly, I can’t think of anything more fulfilling. Plus, I get to work from home in sweatpants — so WIN!

 

What’s one thing clients might be surprised to know about you?

I danced at the halftime show of the Aloha Bowl in 1990 — which just happened to be the debut concert of five‑year‑old Bruno Mars. Yep, I was Bruno’s backup dancer. True story!

 

How can people reach you?

The easiest way to connect is through www.JaimieEngle.com — your one‑stop hub to:

  • Join the Engleverse for inspiration, behind‑the‑scenes access, and courses.
  • Learn more about Chapter Drops™, my ghostwriting service for story‑holders.
  • Schedule a FREE 15‑minute chat with me to explore your project.

I love what I do, and I believe God brings people to me not just for ghostwriting, but to become part of each other’s lives — writing a legacy together.

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