What’s Ahead for Ghostwriting and Publishing in 2026

Table of contents:
- AI is Actually Driving Up Demand for Ghostwriters
- The Sudden Rise of the Luxury Book
- Ghostwriters Need to Increase Their Own Visibility
- A Legal and Ethical Reckoning is Coming
- The Publishing Landscape is Changing
- Industry Consolidation is Creating Both Risk and Opportunity
- The Bottom Line
Spend any time around ghostwriters, and you’ll probably pick up on the anxiety many are feeling right now. We’re being told that artificial intelligence (AI) is coming for our jobs. AI tools can “write” a book in a matter of hours. And that author-clients are opting to write their book themselves. Is the profession in trouble?
No. Not by a long shot.
To get a sense of what’s actually going on in the ghostwriting industry as we wrap up the first quarter of 2026, I turned to the people who know: ghostwriting agency owners, publishing veterans, and acquisitions executives. These are the people who are on the front lines with us, who are watching these trends play out first-hand with clients and manuscript drafts. Their assessment was not nearly as dire as others have predicted. In fact, there is a lot of optimism.
Yes, there are changes underway in the ghostwriting and publishing landscape that surfaced a few years ago, primarily due to the rise of AI. However, what these industry leaders are seeing isn’t a decline in the need for human ghostwriters, but an upturn.
What all of these pros confirmed was that the services a ghostwriter provides — the real value they bring to the process — is the ability to build trust with clients, ask insightful questions, probe the responses to get to the most interesting aspects of their stories and insights, and then organize all of that rich material into a compelling book. This isn’t something AI can do. The more we see and read about AI-generated content, it’s clear that what makes us human makes our writing so much more interesting to read.
Here’s what the industry insiders shared about what we’re seeing and can expect this year.
AI is Actually Driving Up Demand for Ghostwriters
So far, artificial intelligence (AI) has been the dominant topic across both the publishing and ghostwriting industries. However, AI isn’t necessarily having a negative impact on demand.
Dan Gerstein, CEO of Gotham Ghostwriters, observed “anecdotally what we’re seeing is that instead of depressing demand for our services, AI is actually making what we do more valuable. Indeed, over the last year we are encountering whole new sub-class of prospective clients we refer to as AI refugees — non-writer authors who tried to use ChatGPT to write their book and found the results at a minimum unsatisfactory and often unusable.”
He continues, “I suspect this trend-line will not only hold but grow in the next few years. That’s because A) the exponential growth of AI slop will create powerful market pressure on authors to tell original, differentiating stories; and B) as our AI refugee clients have discovered, the bots can’t come close to approximating or replacing the role an accomplished human collaborator plays in developing distinctive, high-quality books. A technology that relies on human prompts can’t come up with concepts and book hooks that are original to the author’s unique ideas and life experience. It can’t extract insights and stories that can’t be found in any LLM because they exist only in the author’s head. And perhaps most notably, it can’t win the author’s trust, break down their walls, and get them to be vulnerable and go deep in a way that they would never do on their own.”
Gerstein also made an important point that not all authors who use AI are prospects for ghostwriters: “There’s no doubt some authors who might have considered hiring a ghost have opted to stick with AI as their writing partner and more will continue to do so. But in most cases, I would contend that these are clients that would never have hired a true pro ghost pre-AI or that pro ghosts would not really want regardless, because they either don’t really need our services — ChatGPT is serving as a coach/tool more than a true writing partner for them — or they don’t value what we do enough to pay for it.”
Joseph Quaderer, CEO and Editor-in-Chief of Quaderer Media Group, says, “I don’t foresee Fortune 100 CEOs sitting down with a large language model to write their books. AI will assist with research, workflow, etc. — but readers still want the human element. Chess computers have been able to beat the best humans for years, yet nobody lines up to watch two machines play each other — and writing isn’t all that different. Readers want to engage with a human mind, not just perfectly generated language.
Quaderer then addresses the difference between AI-generated and ghostwritten material, explaining, “AI can generate sentences, but it still can’t access what’s inside someone’s head. That’s where ghostwriters come in — extracting stories, ideas, and perspective, then shaping them into something cohesive. In many ways, ghostwriting may be one of the safer creative disciplines in the AI era. Language models can remix what already exists, but they can’t train on ideas that haven’t been expressed yet.”
Kevin Anderson, CEO and Editor-in-Chief of Kevin Anderson & Associates, says, “AI rearranges patterns; humans originate insight. AI predicts language; humans invent ideas. AI synthesizes the past; authors create the future.” In a nutshell, AI can churn out words that make up sentences, but it can’t produce original thought.
And, addressing the industry-wide concern that ghostwriting work is drying up, Will Wolfslau, VP, acquisitions, Amplify Publishing Group, says, “I believe the negative impact of AI on the ghostwriting profession hasn’t been quite as bad as most predicted.”
Interestingly, ghostwriters seem to be of “two tribes” when it comes to AI usage, according to Gerstein. He says, “As we learned from the groundbreaking survey on AI and the Writing Profession we spearheaded last fall [2025], writing partners who have embraced the technology are bullish on the future. They report that AI has been a boon to their business — it makes them more productive and improves the quality of their writing. Nonusers, by contrast, are deeply distrustful and resistant to the technology, seeing AI as an existential threat to both craft and career.”
The Sudden Rise of the Luxury Book
However, not everything going on in ghostwriting is AI-driven. Leah Nicholson, Book Production Manager at Jenkins Group, Inc., is seeing a surge in demand for high-end hardcover books. “Clients are requesting premium features such as sprayed edges, ribbon markers, pull-out posters, and custom slipcases. They are investing in high-quality print books that give the reader a luxury experience.”
Nicholson suspects this is a reaction to the “nonstop email marketing efforts and an increasingly noisy digital marketplace.” In response, clients are opting to invest in beautiful, printed books. She says, “We believe our clients are working to differentiate themselves by creating exceptional, physical products that will be remembered.”
This is all good news for ghostwriters because it is a sign that there are clients who are willing to spend money on their books. If authors are willing to invest in a luxury production experience, odds are high they will also be willing to invest in high-quality writing that only human ghostwriters can produce.
Ghostwriters Need to Increase Their Own Visibility
So, if there is still plenty of demand for ghostwriting services, what can ghostwriters do to get a piece of that work? They need to advocate for the value that human ghostwriters provide and become thought leaders themselves.
Wolfslau says, “Increasingly, the ghostwriters who succeed will be those who have a public thought leadership profile and who forcefully advocate for the quality difference in human writing and the value of the concierge support an AI can never provide to an author.”
He clarifies, “I don’t believe that ghosts need to take a hard line against AI, which could put off some potential clients. But they do need to strongly advocate for the value of human writing and human relationships. Even if AI writing improves, AI takes a sycophantic approach, regurgitating ideas while constantly telling users how brilliant and correct they are. If an author is going to write anything good enough to break through a crowded publishing landscape, they need someone to hold their feet to the fire and really make them refine their structure, thinking, and prose.”
A sign that ghostwriters are already stepping up as advocates is that they are increasingly bringing projects to publishers rather than the other way around.
Madison Johnson, Discovery and Acquisitions Coordinator at Greenleaf Book Group, has observed that “one interesting trend is that more and more often, we’re seeing projects come to us from ghostwriters themselves. Experienced ghostwriters tend to have the network and industry connections to recommend the best publisher fit for an author. This is a huge benefit to authors, who may otherwise spend years searching and querying to find a home for their book. It’s a benefit to publishers as well — when they already know the editorial caliber of a ghostwriter’s work, it’s easier to say yes to a manuscript, knowing the product will be clearly developed and well-written.”
Johnson also highlights another advantage of working with a ghostwriter from the publisher’s perspective: “Publishers also like to work with ghostwriters because there’s a greater guarantee of delivery. It’s not uncommon for inexperienced authors to struggle to hit their due dates, which delays production. Having a ghostwriter on the project often makes it more attractive to publishers, since they will prevent the book from getting caught in limbo. Ghostwriters have the experience to complete books on much more predictable and usually shorter timelines.”
Ghostwriters are stepping out of the shadows to become more than mere scribes; more like trusted publishing partners and more visible players in the publishing ecosystem.
A Legal and Ethical Reckoning is Coming
We’ve already seen signs of some legal issues bubbling up in the last couple of weeks, with the shelving of Shy Girl due to AI claims (which are under investigation). This is likely the tip of the iceberg.
Anderson is seeing sharpening contract language around AI usage, for the protection of the ghostwriter and the publisher. He says, “Contract language around AI is already becoming as standard as clauses about rights and royalties and is sharpening month by month.” In particular, “when it comes to ghostwriting, clients will demand clear guidelines and assurances about exactly how AI is being used, and there will be a bit of a cat-and-mouse game between generative AI advancements and AI detection software. Expect lawsuits between authors and ghostwriters over the use of AI.”
He’s also witnessed AI-supported copyright violations first-hand. “Amazon and the industry at large will need to step up to the plate in a big way to counter the mass proliferation of AI-generated junk that is currently being self-published. When we released Oz Pearlman’s New York Times bestseller, at least 100 fake copycat books — complete with AI-generated photos of his likeness on the cover — popped up on Amazon, some of them releasing ahead of his publication date and claiming to be authorized by Oz. A search of Oz’s name on Amazon would reveal a complete list of books with his image and name on them, none of which were from him — and, sadly, some of these books sold fairly well. It’s dishonest, and it should be a crime for Amazon to allow these books to be published and sold. Distribution without curation creates chaos, and platform responsibility is going to be one of the defining issues of the next five years.”
Gerstein is taking a proactive stance in shaping how AI is used in publishing, explaining, “To address these concerns, and help ghostwriters effectively navigate this fast-changing new terrain, we recently formed a working group of leading practitioners to develop a framework of best practices for collaborators using AI. We hope this guide, which we plan on releasing sometime in the next few months, will provide greater clarity for both ghosts and the authors they work with and enable our profession to maximize the opportunities AI presents while minimizing the risks.”
Ghostwriters should look closely at the language in their contract related to AI and decide what boundaries they want to draw and agree to.
The Publishing Landscape is Changing
If we pull back from examining ghostwriting to look at what’s going on in the larger book publishing industry, there are shifts occurring there, too.
Quaderer points to more of an “author-centric” publishing phase emerging. He says, “For decades, the only credible path to meaningful distribution ran through traditional publishers. That’s no longer entirely true. Advances in printing technology, the rise of discovery platforms like TikTok, and the growth of direct-to-consumer channels are reshaping how books are sold. Hybrid and assisted publishing are no longer fringe – they’re becoming a professional middle lane between traditional deals and self-publishing.”
Legacy models are also being challenged, Quaderer says, pointing to news of Madeline McIntosh’s move from CEO of Penguin Random House to founding Authors Equity as one example. He sees this as a step toward “building structures that offer authors more equitable financial arrangements.”
Bigger picture: “Like music and other creative industries, publishing is flattening: fewer gatekeepers, more pathways, and more competition,” according to Quaderer.
Anderson also anticipates a change in what publishers may buy. He predicts, “We will continue to see an increase in experts sharing their unique wisdom, guidance, and inspirational stories. But the basic how-to books and glorified instruction manuals are almost certainly going to be commoditized by AI and lose much of their standalone value.”
This is good news for ghostwriters, since expert-driven books with rich storytelling and intriguing insights are exactly the type of projects where ghostwriters can add the most value.
Industry Consolidation is Creating Both Risk and Opportunity
Consolidation within the publishing industry is already underway. Wolfslau says, “Last year [2025] was the biggest year on record for mergers and acquisitions within the hybrid publishing and author services sector, and I’m expecting that momentum to continue into this year, with some of the remaining smaller companies rolling up into more competitive conglomerates.”
Anderson made a very similar observation, stating, “There is a great deal of consolidation happening in the hybrid publishing industry with private equity.”
With the number of upstarts in ghostwriting and publishing in recent years, we should absolutely not be surprised when more companies are bought up. The impact on individual ghostwriters will depend on where their work currently originates. Ghostwriters who attract work directly through referrals and their own professional network will be more insulated from the ongoing consolidation, while those who rely heavily on projects through agencies and publishers will be most affected by fewer potential channels.
The Bottom Line
Despite doom-and-gloom predictions, the ghostwriting industry is still going strong. In fact, for many, work continues to pick up. Anderson says, “2025 was by far our best year yet in business.”
The good news is that ghostwriting as an industry is not going under — far from it. Demand is picking up as authors begin to recognize AI’s limitations. That is, ghostwriting skills are valued. And ghostwriters who are working to differentiate themselves and advocate for the interviewing and writing skills they bring to the table have big upside potential.
“Authenticity, voice, originality, transparency, and authority will become more and more valued in the AI age,” says Anderson.
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This article is very interesting, but as a children’s writer, I’m seeing the opposite effect of AI. In 2025, I received 21 queries in the first quarter. This year, only 4. And of those 21 queries last year, 5 became clients. This year is zero. And I’ve taken steps to boost my visibility, such as using GEO on my site, joining IBPA, getting back into Instagram, and writing articles about the need for rewriters (book doctors). Now I’m wondering if it’s just me in this predicament.
I seriously doubt it’s just you, Karen. The children’s book market sounds like it has its own ecosystem, which may be different from what’s going on in the nonfiction and business book space.